London A - Z: A Memoir (Hermit Crab Essay)
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Alsation. That first night in London, you opened your bedroom door
to find a dog lying on that landing, just beyond the threshold. Alsatian.
As you stood there in your floral nightie,
the doggie breed name dinged
through your sleepy brain, conjuring those photos from your old school
textbook chapters on Nazi-occupied Germany.
As a child in County Mayo, you heard many euphemisms for this act of leaving your own country. Later, in the twenty-first century, you will know that none of the euphemisms did justice to the actual process of living a life overseas. Neither did the euphemisms—or the Hollywood movies—do justice to the emotional firewall between those who left and those who stayed behind.
Home. The morning cleaning woman, also Irish, tossed this word
(home) around too much. Sometimes she meant your
native land. Sometimes she meant the nearby
flat where she and her (also immigrant) husband and kids lived. Over morning tea, you learned that their London-born kids were
called “shandies,” as in,
half beer and half lemonade,
as in, first generation. Sometimes
you silently begged this woman to ask:
“Fancy coming home to ours for a bite of supper tonight?”
PS: You didn’t know this in 1986, but after London, for the rest of your life, you will always pause before you say that word, “home.”
Irish Republican Army. Two years earlier, in September 1984, the Pro- visional Irish Republican Army
(IRA) had bombed the Brighton Hotel while then British
Prime Minister Margaret Thatcher
and her conservative party cab- inet were staying there. That bomb killed
five people and injured thirty-one. Thatcher
escaped. Back (pause) home, in southern Ireland, you had known or learned or cared very little about the sectarian war up north. Ditto for all previous, offshore IRA bombings.
Job. As well as the free bedroom, the
agreed price for that London job included a
breakfast and lunch of warmed-up sausage rolls or Scotch eggs—or whatever hadn’t sold at yesterday’s pub lunch. Some
days, when you worked the lunch counter,
you wondered if all the food got sold, what would you eat next morning? Thankfully, this never happened. Over
and over, you told yourself that this job
was infinitely better than your old job, teaching children in a freezing parochial school.
Kid. We kid ourselves about all kinds of things. Even in the
worst of setups, we don’t interrogate
our own fallacies and fantasies. “You’ve honestly got to be kid- ding.” Back then or
now, who actually says that
to themselves?
Lunge. After that first night with the Alsatian, you tried again.
And again. But every night, that dog lay stretched
out there, just beyond your bedroom thresh- old.
Where was this dog during
daylight hours? One Saturday night,
you heard the tick-swish doggie sound on the back stairs. From your
bed you pictured him (her?) down
there, patrolling from pub window to window. Who had he (she?) been trained to look for, to lunge at?
Another night, after the boss man let you and the live-out barmaid have an after-work drink, you were really, really burst- ing
to pee. So you set your hand on the door jamb and arched
your leg high to step over. The hackles rose and the Alsatian gave a low growl—the precursor to a doggie
lunge? You didn’t
wait to find out.
Mathematics. You have always been bad at maths.
Still, you wonder if most of life
can’t be reduced to a balance sheet of what you are now and what, someday, you hope to be or to acquire (see “E” above). Life could also be boiled down to a
set of math puzzlers. For example, if a dog’s girth measures XYZ meters, just how many meters high would a girl need to
arch her leg to climb across? Or: how many milliliters of urine
can accumulate in a human bladder before it causes cystitis? Or: thanks to her country-girl skills at climbing up
and hoisting her- self
over acres of dry stone walls would
she be equally adept at, say, hoisting herself up onto
that pink hand basin
to pee?
Navvy. Early in this job, the seasoned, live-out barmaid issued
the boss man’s no-serve rule: “No
serving anyone in boots.” You asked. She clarified. Ah! Just as you’d suspected, this rule was not about footwear. Instead,
it referred to Irish navvies (construction workers). Daytimes,
due to the size of that bar and the issues
of distance and depth perception, this no-boots rule was hard to apply or enforce. Night times, you rehearsed the scene for that
dreaded day when you would have to cite this rule to a navvy, a thirsty man who smelled or looked like your
father.
Object v. Years later, in your twenty-first-century woke-ness, you
will wonder why you did not do this (object), or
why you did not become a conscientious objector, n.
Nope. Fear is not an alibi or an excuse here. But how about that free room with its pink walls and hand basin-turned-night-toilet?
Passing. Speaking of “wokeness,” you will learn that there is a
term for what your boss man was doing. He was
“passing” as English. Later, in a hateful part
of your heart,
you will also say that he was passing as human. Later too, you will do a little
of this (passing) yourself, in America. Not because you don’t want to be Irish, but because some days, you will be too busy
rushing from job to job to answer the “what-county-are-you-from?” question.
Quintessential. From its cottage-styled windows to its dark-wood bar and banquettes, the Rose & Crown pub, where you worked and lived, was quintessentially English, such as one might see in a tourist brochure
or website.
Race, racism. On your afternoon rambles around north London, you saw how,
in contrast to 1980s Ireland, there were many
Black and brown faces. Why did none
of these faces appear at the bar in the Rose & Crown? Oh, wait. Once, halfway through a busy lunch, a Black man
appeared in that pub doorway. He glanced inside,
then retreated back outside as if he’d seen enough
to know.
Surveilled. Afternoons, when you walked to the corner shop for
cigarettes and salty snacks, the lady shopkeeper
watched your every move. When you asked for
your brand of cigarettes, she made a grand pantomime of wincing at and retreating from your accent.
Mornings, when you and the cleaning woman stood whispering, you
listened for the boss man’s footstep on the back stairs. At night, when you tried
to fill and tabulate someone’s drinks order, you knew he was watching from his barstool. Amid all these, the
Alsatian kept watch—or surveilled—at your bedroom door.
Stiff. This is American slang
for the act of not paying, as promised, for an agreed
service or job. One morning the boss man summoned you to his office.
There he said
that, due to tanking pub sales, he could no longer afford
a full-time, live-in barmaid. You
could keep your free room for two nights, and he would leave your final paycheck under the bar cash
register or till. Next day, after a fitful, sleepless night, you checked for your money.
Terrorist. In that corner shop, where a stack of Evening Standards sat between you
and the lady shopkeeper (the one who winced at your accent), you wanted to ask: “From my thick hair to my green eyes to my soft voice, who exactly do I
really, really
look or sound like to you?”
Ugly. There are plenty of ugly cities, but
London is not one of them. Millions of folks travel to see its Trafalgar
Square, its British Museum, et al. In fact, years later, you will fly from Boston’s Logan to London’s Heathrow
Airport to join these tourists with
their cameras and their A–Z guide maps. On that trip, Lon- don will feel cinematic, not real, as if you had never been there before
(see “V” below).
Vantage point. How you experience a place depends on what parts you are allowed or have the leisure
or the cash assets to see. It also depends
on where you have flown (see “H” above) from. All
cities look different when a tourist’s hotel room key sits snug in
your pocket.
Waste. Later, you will regret all of your wasted months and years and botched attempts at a grown-up life. You will want
to erase or photoshop that girl standing
there in her nightie, staring at an Alsatian dog.
Xenophobia. See “P” and “R”
above.
Zonked. On your London departure day, your
money hasn’t been left under that
cash register or till (see “S” above). When you knocked (and knocked) on the boss man’s apartment and office doors,
there was no response. Still,
even without your paycheck,
you splurged for a taxi (not the Tube) to the British
Rail night train to take you to the night
ferry to take you back across the Irish Sea and (pause) home. In that taxi, after a jittery,
sleepless night in that pink room, you were bone-weary tired, aka, zonked. Tonight, would the Alsatian
automatically sense that there was
nobody behind that bedroom door—nobody to protect or protect against? Tomorrow, would that woman in the corner shop wonder where you were or if you’d just given up junk food and smoking? You didn’t bloody
care. Neither did you care that, while your black cab nudged through
the afternoon traffic, your middle-aged London cabbie kept gawking at
you in his rearview (see “S”
above).
Outside
Euston station, your gawking, middle-aged cabbie swiveled all the way around to face you. He said, “Look, I have to ask you this, love: Are you . . . are you
all right?”
Zonked
as you were, and although this cabbie with the kind eyes did not quite fulfill either the Bible’s or the
Beatles’ love quotients, you managed to smile and push out four words:
“I’m fine. Thank you.”
Yearn. There’s not much to say about “the
‘y’ word,” except that the Bible (“the greatest of these is love”) and the Beatles
(“All You Need is Love”) were really, really onto something—something basic but big. The truth is this:
Much more than the spatial or architectural or geographical
place, we all yearn for an existential
home or home base. Or when we’re away from home, we all yearn for an emotional blankie
to keep out the cold.
Zonked. On your London departure day, your
money hasn’t been left under that
cash register or till (see “S” above). When you knocked (and knocked) on the boss man’s apartment and office doors,
there was no response. Still,
even without your paycheck,
you splurged for a taxi (not the Tube) to the British
Rail night train to take you to the night
ferry to take you back across the Irish Sea and (pause) home. In that taxi, after a jittery,
sleepless night in that pink room, you were bone-weary tired, aka, zonked. Tonight, would the Alsatian
automatically sense that there was
nobody behind that bedroom door—nobody to protect or protect against? Tomorrow, would that woman in the corner shop wonder where you were or if you’d just given up junk food and smoking? You didn’t bloody
care. Neither did you care that, while your black cab nudged through
the afternoon traffic, your middle-aged London cabbie kept gawking at
you in his rearview (see “S”
above).
Outside
Euston station, your gawking, middle-aged cabbie swiveled all the way around to face you. He said, “Look, I have to ask you this, love: Are you . . . are you
all right?”
Zonked
as you were, and although this cabbie with the kind eyes did not quite fulfill either the Bible’s or the
Beatles’ love quotients, you managed to smile and push out four words:
“I’m fine. Thank you.”
A native of
County Mayo, Áine Greaney was part of the 1980s
emigration wave, when an estimated 200,000 Irish left for the United
States, the United Kingdom, and Australia. Since then, in addition to her published
books, her writing has appeared
in New Hibernia Review, Books Ireland, the Boston Globe Magazine, the New York Times, Another Chicago Magazine, and many other
publications, as well
as on Salon and WBUR/NPR. Her fifth book, “Trespassers,” a collection of short fiction set in greater Boston and Ireland, is forthcoming.
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